Hostname: page-component-6bf8c574d5-9f2xs Total loading time: 0 Render date: 2025-03-04T06:20:19.843Z Has data issue: false hasContentIssue false
  • English
  • Français

Marie Sumner Lott, The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities (Urbana, Chicago, and Springfield: University of Illinois Press, 2015). xviii + 310 pp. $55.00.

Review products

Marie Sumner Lott, The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities (Urbana, Chicago, and Springfield: University of Illinois Press, 2015). xviii + 310 pp. $55.00.

Published online by Cambridge University Press:  05 December 2016

Nancy November
Nancy November*
Affiliation:
The University of Aucklandn.november@auckland.ac.nz
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 14 , Issue 2 , August 2017 , pp. 249 - 253
Check for updates
Copyright
© Cambridge University Press 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Notley, Margaret, ‘Late Nineteenth-Century Chamber Music and the Cult of the Classical Adagio’, 19th-Century Music 23 (1999): 34 CrossRefGoogle Scholar.

2 Helm, Theodore, Beethoven’s Streichquartette. Versuch einer technischen Analyse dieser Werke im Zusammenhange mit ihrem geistigen Gehalt (Leipzig: Fritzsch, 1885)Google Scholar.

3 Helm, Beethoven’s Streichquartette, p. 117.