Hostname: page-component-cd9895bd7-gvvz8 Total loading time: 0 Render date: 2024-12-26T07:49:22.906Z Has data issue: false hasContentIssue false
  • English
  • Français

Mark Everist, Music Drama at the Paris Odéon, 1824–1828 (Berkeley, Los Angeles, and London: University of California Press, 2002). xvii + 331pp. £40. Music examples, illustrations, bibliography, index

Published online by Cambridge University Press:  13 April 2011

Francesco Izzo
Francesco Izzo
Affiliation:
New York University
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 1 , Issue 2 , November 2004 , pp. 102 - 104
Copyright
Copyright © Cambridge University Press 2004

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Mark Everist has conducted substantial research on the Renaissance, Théàtre de la, which appears in “Theatres of Litigation: Stage Music at the Théâtre de la Renaissance, 1838–1840”, Cambridge Opera Journal, 16 (2004): 133–61, and in an essay in his forthcoming book,Google ScholarGiacomo Meyerbeer and Music Drama in Nineteenth-Century Paris (Aldershot: Ashgate, 2005)Google Scholar.