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Matthew Brown Debussy Redux: The Impact of His Music on Popular Culture (Bloomington, IN: Indiana University Press, 2012). x + 240 pp. £24.00.

Published online by Cambridge University Press:  01 April 2014

David J. Code
David J. Code*
Affiliation:
University of Glasgowdavid.code@glasgow.ac.uk
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Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 11 , Issue 2 , December 2014 , pp. 311 - 315
Copyright
Copyright © Cambridge University Press 2014 

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References

1 Long, Michael, Beautiful Monsters: Imagining the Classic in Musical Media(Berkeley: University of California Press, 2008)Google Scholar.

2 Abrams, Meyer Howard, The Mirror and the Lamp: Romantic Theory and the Critical Tradition (Oxford: Oxford University Press, 1953)Google Scholar.

3 Rosemary Brown (1916–2001) achieved fame in the 1960s and 1970s due to her claim that several famous composers were dictating new compositions to her from beyond the grave.

4 Dutton, Denis, ‘Of Human Accomplishment’, The New Criterion 22/6 (February 2004)Google Scholar: 35.

5 Abrams, The Mirror and the Lamp: Romantic Theory and the Critical Tradition, 6. I compress slightly.

6 Abrams, , The Mirror and the Lamp: Romantic Theory and the Critical Tradition, 180 Google Scholar.

7 Abrams, , The Mirror and the Lamp: Romantic Theory and the Critical Tradition, 6 Google Scholar.

8 See Portrait of Jennie, (c) ABC Motion Pictures 1948; DVD reissue (c) Pearson Television, 2001.

9 See my ‘The Formal Rhythms of Mallarmé's Faun’, Representations 86 (Spring 2004): 73–119.

10 ‘Hearing Debussy Reading Mallarmé: Music après Wagner in the Prélude à l'après-midi d'un faune’, JAMS54/3 (2001): 493–554.

11 See Allegro non troppo, directed by Bruno Bozzetto, (c) Madman films, 1977 (DVD 2005).

12 Baudelaire, Charles, The Painter of Modern Life and Other Essays, ed. and trans. Jonathan Mayne (London: Phaidon, 1964): 9–11 Google Scholar.

13 For both see Lesure, François, Claude Debussy: Biographie Critique (Paris: Klincksieck, 1994): 422Google Scholar.