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Published online by Cambridge University Press: 05 August 2014
1 See also Wiley, Roland John, Tchaikovsky (New York: Oxford University Press, 2009): 232CrossRefGoogle Scholar.
2 As quoted from Golos [The Voice] by Wiley, Tchaikovsky, 241.
3 The autographs of these piano reductions are lost.
4 Suggested reasons for the quotations have ranged from Tchaikovsky's lack of inspiration in writing the overture to the use of certain passages as a ‘mask for personal memory’. See Wiley, Tchaikovsky, 240; Wiley, Roland John, ‘Tchaikovsky, Pyotr Il'yich’, in Grove Music Online, accessed 25 November 2013Google Scholar, http://www.oxfordmusiconline.com/.
5 Wiley, , Tchaikovsky, 232Google Scholar.
6 Wiley, , Tchaikovsky, 230Google Scholar.