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Published online by Cambridge University Press: 13 April 2011
The annals of music history are filled with minor musicians whose fame was ephemeral or whose influence was negligible. Among those who have rated barely a line in the standard reference works is the pianist and composer Anton Strelezki (1858–1906). Like Anton Schindler, who made his reputation as the ‘Ami de Beethoven’, Strelezki attempted to burnish his reputation through association with a famous musical contemporary. His 21-page pamphlet entitled Personal Recollections of Chats with Liszt, published after the death of its subject, purports to chronicle a close relationship with Franz Liszt over a period of decades, recounting lengthy conversations and reproducing extensive quotations from his famous contemporary. Because the book contains anecdotes not documented elsewhere in the Liszt literature, it demands close scrutiny for what it tells us about Liszt. It will be shown that Strelezki's story is suspect at best and probably completely fallacious, making the source unreliable for scholars of Liszt and related nineteenth-century musicians.
1 Strelezki, Anton, Personal Recollections of Chats with Liszt, With Anecdotes of Schumann, Chopin, Mendelssohn, &c, &c. (London: Donajowski, [c. 1894])Google Scholar . The memoir was reprinted by Musical Scope Publishers in 1970 and again in The Liszt Society Journal 15 (1990): 52–4, and 18 (1993): 52–9Google Scholar.
2 Fay, Amy, Music-Study in Germany: The Classic Memoir of the Romantic Era, introduction by Frances Dillon (Chicago: Jansen, McClurg & Co., 1880Google Scholar ; reprint New York: Da Capo, 1965).
3 For further information and extensive bibliographies of Liszt memoirs, see Bomberger, E. Douglas, ‘Toward a Definitive Register of Liszt's American Students’, Journal of the American Liszt Society 33 (Jan.–Jun. 1993): 50–58Google Scholar and Bowen, José Antonio and Bomberger, E. Douglas, ‘An Annotated Bibliography of Students and Observers of Liszt's Teaching’, Journal of the American Liszt Society 52/53 (fall 2002/spring 2003): 44–63Google Scholar .
4 Strelezki, , Personal Recollections, 3–5Google Scholar .
5 Birth certificate entered at the Edmonton Registration District, Middlesex; copy supplied to the author by the General Register Office of England, 17 January 2006. Census records indicate that the family moved to Croydon from Edmonton in Middlesex shortly after Arthur's birth.
6 Information on the marriage and children available from www.rootsweb.com (accessed 4 January 2006).
7 Hochschule für Musik und Theater ‘Felix Mendelssohn Bartholdy’ Leipzig, Hochschulbibliothek/Archiv, Inskriptionsakten No. 2603.
8 Hochschule für Musik und Theater ‘Felix Mendelssohn Bartholdy’ Leipzig, Hochschulbibliothek/Archiv, Lehrer Zeugniβ, 10 December 1877, and Abgangs-Zeugniβ, 20 April 1878. All translations are by the author unless otherwise noted.
9 Passenger Lists of Vessels Arriving at New York, 1820–97, National Archives and Records Administration microfilm M237, roll 416, list 183, available from www.ancestry.com (accessed 4 January 2006). The index lists his surname as ‘Bromand’, making it easy to miss; examination of the manuscript demonstrates that the name in question is clearly ‘Burnand’.
10 ‘Musical Notes’, New York Times (14 Mar. 1879): 4.Google Scholar
11 The complete programme of the concert is reprinted in George Kehler, The Piano in Concert, vol. II, M–Z (Metuchen, NJ: Scarecrow, 1982): 1289.
12 ‘Amusement Notes’, The World: New York (14 Mar. 1879): 4.Google Scholar
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24 Quoted in ‘Music and Musicians’, Los Angeles Times (15 Jan. 1899): 20Google Scholar .
25 Universal-Handbuch der Musikliteratur aller Zeiten und Völker; Als Nachschlagewerke und Studienquelle der Welt-Musikliteratur, 14 vols (Vienna: Pazdirek & Co., 1904–1910).Google Scholar
26 The Catalogue of Printed Music in the British Library to 1980, ed. Baillie, Laureen, 62 vols (London and New York: K.G. Saur, 1981–1987).Google Scholar
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30 Letters to Arthur P. Schmidt, 24 and 27 February 1905, A.P. Schmidt Collection, Performing Arts Reading Room, Library of Congress, box 71, folder 13.
31 Death certificate entered at the Lambeth Registration District; copy supplied to the author by the General Register Office of England, 17 January 2006.
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33 Quotations from Strelezki's Personal Recollections may be found in Sitwell, Sacherevell, Liszt (Boston and New York: Houghton Mifflin, 1934): 284–5Google Scholar ; Taylor, Ronald, Robert Schumann: His Life and Work (New York: Universe Books, 1982): 180Google Scholar ; Taylor, Ronald, Franz Liszt: The Man and the Musician (London: Grafton, 1986): 68Google Scholar ; Eigeldinger, Jean-Jacques, Chopin: Pianist and Teacher as seen by his Pupils (Cambridge: Cambridge University Press, 1988): 273–4Google Scholar ; Marston, Nicholas, Schumann: Fantasie, op. 17 (Cambridge: Cambridge University Press, 1992): 93–4Google Scholar ; Walker, Alan, Franz Liszt: The Final Years, 1861–1886 (Ithaca, NY: Cornell, 1997): 239Google Scholar ; and Walker, Alan, ‘Liszt and the Schubert Song Transcriptions’, The Musical Quarterly 67/1 (Jan. 1981): 57Google Scholar and reprinted in The Musical Quarterly 75/4 (winter 1991): 255, and Reflections on Liszt (Ithaca and London: Cornell, 2005): 27–39Google Scholar ; 33. Strelezki is also cited in Watson, Derek, Liszt (New York: Schirmer, 1989): 136 and 174Google Scholar ; and Saffle, Michael, Franz Liszt: A Guide to Research, 2nd ed. (New York and London: Routledge, 2004): 144Google Scholar . Finally, the ‘Schumann’ article in Wikipedia (en.wikipedia.org/wiki/Robert_Schumann, accessed 18 May 2009) quotes Liszt/Strelezki, and this citation has been reprinted verbatim on numerous websites, taking on a dubious cyber-authoritativeness.
34 The Liszt Society Journal 18 (1993): 52Google Scholar .
35 Catalogue of Printed Music in the British Library, vol. 55: 12–22. The only other Donajowski publication of Strelezki's works was a compilation of six previously published piano pieces in 1902.Google Scholar
36 ‘Notes and Gossip’, The Musical Visitor 23/8 (Aug. 1894): 206Google Scholar .
37 Strelezki, , Personal Recollections, 10–11Google Scholar .
38 Eigeldinger, , Chopin, 273, n. 9.Google Scholar
39 Strelezki, , Personal Recollections, 16.Google Scholar
40 The foregoing anecdotes are from Ibid., 16–18.
41 Ibid., 6.
42 See Reich, Nancy B., ‘Clara Schumann and the Music of Robert Schumann’, in Clara Schumann: The Artist and the Woman, rev. ed. (Ithaca, NY, and London: Cornell, 2001): 257–66Google Scholar .
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44 Strelezki, , Personal Recollections, 21Google Scholar .
45 Ibid.
46 Open letter to the editor of the Gazette de Hongrie (6 Feb. 1883), reprinted in Rainer Riehn, ‘Wider die Verunglimpfung des Andenkens Verstorbener. Liszt soll Antisemit sein …’, Musik-Konzepte 12: Franz Liszt (1980): 111.
47 Kramer, Lawrence, ‘Contesting Wagner: The Lohengrin Prelude and Anti-anti-Semitism’, Nineteenth-Century Music 25/2–3 (2002): 190–211CrossRefGoogle Scholar .
48 Riehn, , ‘Wider die Verunglimpfung’, 100–114Google Scholar ; Botstein, Leon, ‘A Mirror to the Nineteenth Century: Reflections on Franz Liszt’, in Franz Liszt and His World, ed. Gibbs, Christopher H. and Gooley, Dana (Princeton, NJ, and Oxford: Princeton, 2006): 555–6Google Scholar .
49 Walker, Alan, Franz Liszt: The Weimar Years, 1848–1861 (Ithaca, NY: Cornell, 1989): 356Google Scholar . Walker examines Liszt's position toward the anti-Semitic writings of Richard Wagner and Carolyne von Sayn-Wittgenstein on 353–7 and 388–90.
50 Strelezki, , Personal Recollections, 6Google Scholar .
51 Ibid.
52 See for instance Walker, Alan, ‘Carl Tausig: A Polish Wunderkind’, in Reflections on Liszt (Ithaca, NY, and London: Cornell, 2005): 60–78Google Scholar .
53 Strelezki, , Personal Recollections, 7–8Google Scholar .
54 Ibid., 8–9.
55 Little, William A. has chronicled their rocky relationship in ‘Mendelssohn and Liszt’, in Mendelssohn Studies, ed. Todd, R. Larry (Cambridge: Cambridge, 1992): 106–25Google Scholar .
56 For thorough discussions of Liszt's reception in Leipzig, see Saffle, Michael, ‘A Short History of Liszt's German Tours’, in Liszt in Germany, 1840–1845: A Study in Sources, Documents, and the History of Reception, Franz Liszt Studies Series No. 2 (Stuyvesant, NY: Pendragon, 1994): 91–129Google Scholar and Gooley, Dana, ‘Liszt and the German nation, 1840–43’, in The Virtuoso Liszt (Cambridge: Cambridge, 2004): 156–200Google Scholar .
57 Brown, Clive, A Portrait of Mendelssohn (New Haven, CT, and London: Yale, 2003): 201–35CrossRefGoogle Scholar .
58 Schrattenholz, Josef, Illustrierte Zeitung (11 Mar. 1882)Google Scholar , quoted in Cahn, Peter, Das Hoch'sche Konservatorium 1878–1978 (Frankfurt am Main: Kramer, 1979): 49Google Scholar .
59 ‘Edward MacDowell: A Biographical Sketch’, Musical Times 44 (1 Apr. 1904): 222Google Scholar .
60 Strelezki, , Personal Recollections, 18Google Scholar .
61 Ibid., 18–19.
62 Ibid., 23.
63 ‘Das Judenthum in der Musik’ was published under the pseudonym ‘K. Freigedank’ in the Neue Zeitschrift für Musik 33 in two instalments on 3 and 6 September 1850. Mein Leben was privately printed and circulated in the 1870s; the first widely available edition was: Wagner, Richard, Mein Leben (Munich: F. Bruckmann, 1911)Google Scholar.
64 For a discussion of Kreisler's hoax, see Biancolli, Amy, Fritz Kreisler: Love's Sorrow, Love's Joy (Portland, OR: Amadeus Press, 1998)Google Scholar .
65 For a summary of the literature on Schindler's forgeries, see Solomon, Maynard, Beethoven, 2nd rev. ed. (New York: Schirmer, 1998): 431, n. 7.Google Scholar
66 Kozinn, Allan, ‘Discovered Sonatas may be Faked Haydn’, New York Times (28 Dec. 1993): C17Google Scholar .
67 Occasional, ‘Editors Musical Courier’, The Musical Courier 16/25 (20 Jun. 1888): 418Google Scholar .