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Robert Tallant Laudon, The Dramatic Symphony: Issues and Explorations from Berlioz to Liszt (Hillsdale, NY:Pendragon, 2012). ix + 156. pp. $46.00.

Published online by Cambridge University Press:  17 June 2015

Eftychia Papanikolaou
Eftychia Papanikolaou*
Affiliation:
Bowling Green State Universitypapane@bgsu.edu
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Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 12 , Issue 1 , June 2015 , pp. 128 - 131
Copyright
Copyright © Cambridge University Press 2015 

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References

1 For a translation see Holoman, D. Kern, Berlioz (Cambridge: Harvard University Press, 1989)Google Scholar: 261. Berlioz's foreword is printed in full in The New Berlioz Edition (general ed. Hugh Macdonald), vol. 18, ed. Holoman, Kern, Roméo et Juliette (Kassel: Bärenreiter, 1990)Google Scholar: 2.

2 In that respect see Holoman, , Berlioz, 262–263Google Scholar. The consensus among scholars is that the work consists of seven movements; see also Rushton, Julian, Roméo et Juliette (Cambridge: Cambridge University Press, 1994)CrossRefGoogle Scholar: 6.

3 Frédéric Robert, ‘Reber, (Napoléon-)Henri’, in Grove Music Online (accessed 1 December 2013).

4 Taking into consideration the work's performing forces (for solo tenor, choir and a speaker/recitation), secular oratorio seems to be a more apt generic designation; See Locke, Ralph P., Musical Exoticism: Images and Reflections (Cambridge: Cambridge University Press, 2009)Google Scholar: 19, 152.

5 Among others see Kallberg, Jeffrey, ‘The Rhetoric of Genre: Chopin's Nocturne in G Minor’, 19th-Century Music 11/3 (1988): 238–261CrossRefGoogle Scholar.