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Published online by Cambridge University Press: 08 January 2013
1 Robert Sollich, Clemens Risi, Sebastian Reus and Stephan Jöris, Recherchen 52 (Berlin: Verlag Theater der Zeit, 2008)Google Scholar
2 Lydia Goehr, ‘Heil wem? Katharina: wasted art or the art of waste’, Ibid., 247–59). Also interesting is the contribution of David J. Levin, ‘Die Meistersinger von Nürnberg: drastisch oder gnostisch?’, Ibid., 260–71), which engages with Carolyn Abbate's paradigms of live performance.
3 This is an important source of early printing from 1493, including city views, of major centres such as Vienna, Cologne and Florence.
4 Among her other Wagner stagings are Der fliegende Holländer (Würzburg 2002), Lohengrin (Budapest 2004) and Tannhäuser (Las Palmas 2009).
5 The reception was likewise extraordinary; see Patti Smith's report on the 2005 performance of Parsifal in Die Zeit, August 11 2005 (online: http://www.zeit.de/2005/33/Patti_Smith).