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12k: between two points

Published online by Cambridge University Press:  15 August 2002

Philip Sherburne
Affiliation:
1122 Church Street, San Fransisco, CA 94114, USA Email: psherburne@mindspring.com

Extract

K-k-k-k-k-k. Boof. Chhhhhhh. Hiss, whirr, pfing: 12k's is an onomatopoeic music. The audio equivalent of concrete poetry perhaps, where the sign (there, a letter or a word; here, a click or thud or tone) is elephantised, blown out of proportion, simultaneously stripped of reference and fraught with multivalent meaning. (Is it any coincidence that 12k founder Taylor Deupree is a graphic designer? You can almost hear the flip of a serif in 12k's grainy whoosh, or the nuzzling of kiss-kerned type in the cool brush of two bleeps.) In the releases of this Brooklyn label, notes, pulses, textures bear no immediate relation to the world around them, to a language of melody or tonal narrative, but in their careful melding of pulse and grain, they sketch an abstracted narrative of the development of several phenomena: electronic music, desktop DIY, and -especially -minimalism.

Type
Research Article
Copyright
© 2002 Cambridge University Press

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