Hostname: page-component-cd9895bd7-8ctnn Total loading time: 0 Render date: 2024-12-26T08:58:28.151Z Has data issue: false hasContentIssue false

Musique Concrète Today: Its reach, evolution of concepts and role in musical thought

Published online by Cambridge University Press:  05 March 2015

Daniel Teruggi*
Affiliation:
Institut National de l’Audiovisuel, 19 Avenue du Général Mangin, 75016 Paris, France
*

Abstract

Musique concrète has become a well-known word and concept. The history of the concept permits us to understand how it evolved and how its inventor, Pierre Schaeffer, felt about it and its impact. The terms have gone through several transformations, the main one being that into the term acousmatique, which implied a change of perspective in the reach of the concept. Today musique concrète is an active concept, not generally applied to describe contemporary musical creation, however embedded in musical thought and theory.

Type
Articles
Copyright
© Cambridge University Press 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Boulez, P. 1966. Musique concrète. In Relevés d’apprenti. Paris: Éditions du Seuil.Google Scholar
Husserl, E. 1928. On the Phenomenology of the Consciousness of Internal Time (1893–1917), trans. J. B. Brough. Dordrecht: Kluwer, 2013.Google Scholar
Marchetti, L. 1998. La musique concrète de Michel Chion. Paris: Les Presses du Réel.Google Scholar
Michel, F. 1958. Encyclopédie de la musique. Paris: Fasquelle.Google Scholar
Pierret, M. 1969. Entretiens avec Pierre Schaeffer. Paris: Éditions Pierre Belfond.Google Scholar
Schaeffer, P. 1949. La musique concrète, Polyphonie: revue musicales trimestrielle.Google Scholar
Schaeffer, P. 1952. À la recherche d’une musique concrète. Paris: Éditions du Seuil, facsimile reprinted in 1998. Translation by John Dack and Christine North: In Search of a Concrete Music. Berkeley: California University Press, 2012.Google Scholar
Schaeffer, P. 1957. Lettre à Albert Richard. Vers une musique expérimentale: Revue musicale, 257.Google Scholar
Schaeffer, P. 1966. Traité des objets musicaux. Paris: Le Seuil.Google Scholar
Schaeffer, P. 1967. La musique concrète. in Que sais-je. Paris: Presses Universitaires de France.Google Scholar
Teruggi, D. 1993. What about Acousmatics? Journal of Electroacoustic Music 7: 1720.Google Scholar
Tournet-Lammer, J. 2006. Sur les traces de Pierre Schaeffer. Paris: La documentation française.Google Scholar