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EDITORIAL

Published online by Cambridge University Press:  19 July 2001

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Abstract

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To a practising composer the term 'frequency domain' must refer primarily to the ways s/he organises pitch material. Additionally, to the experienced electroacoustic composer, it will refer to the treatment of the spectral content of sounds used, which may or may not be a conscious act within the compositional process.

Type
Editorial
Information
Organised Sound , Volume 2 , Issue 2 , August 1997 , pp. 63 - 64
Copyright
© 1997 Cambridge University Press