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Loop-interpolation-random & gesture: déjà vu in computer-aided composition

Published online by Cambridge University Press:  08 June 2001

SILVIO FERRAZ  and
LEONARDO ALDROVANDI
SILVIO FERRAZ
Affiliation:
Laboratório de Linguagem Sonora, Pontifícia Universidade Católica de São Paulo, Rua João Ramalho, 182–7° Andar. Perdizes, São Paulo, Brazil Email: sferraz@pucsp.br leoaldrovandi@ig.com.br
LEONARDO ALDROVANDI
Affiliation:
Laboratório de Linguagem Sonora, Pontifícia Universidade Católica de São Paulo, Rua João Ramalho, 182–7° Andar. Perdizes, São Paulo, Brazil Email: sferraz@pucsp.br leoaldrovandi@ig.com.br
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Abstract

Starting from a distinction between music creation and sound or pre-established methods of form and sound manipulation, this paper discusses the use of some typical procedures in computer-aided composition. A critique of common-sense procedures sets out to show that musical creativity may be threatened and put at risk in the name of a community's immediate acceptance of what is considered to be of musical value.

Information

Type
Research Article
Information
Organised Sound , Volume 5 , Issue 2 , August 2000 , pp. 81 - 84
Copyright
© 2000 Cambridge University Press

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