Hostname: page-component-cd9895bd7-fscjk Total loading time: 0 Render date: 2024-12-26T08:14:20.346Z Has data issue: false hasContentIssue false

Sophy Smith: Hip-Hop Turntablism, Creativity and Collaboration. Burlington, VT, and Farnham: Ashgate, 2013. ISBN: 978-1-4094-4337-7

Published online by Cambridge University Press:  13 November 2014

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book reviews
Copyright
© Cambridge University Press 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Gilroy, P. 1993. The Black Atlantic: Modernity and Double Consciousness. London: Verso.Google Scholar
Rose, T. 1994. Black Noise: Rap Music and Black Culture in Contemporary America. Hanover, NH, and London: Wesleyan University Press.Google Scholar
Smith, S. 2007. The Process of ‘Collective Creation’ in the Composition of UK Hip-Hop Turntable Team Routines. Organised Sound 12(1): 7987.CrossRefGoogle Scholar
Toffler, A. 1981. The Third Wave. New York: Bantam Books.Google Scholar