Hostname: page-component-cd9895bd7-dzt6s Total loading time: 0 Render date: 2024-12-26T09:10:18.314Z Has data issue: false hasContentIssue false
  • English
  • Français

Technology and musique concrète: the technical developments of the Groupe de Recherches Musicales and their implication in musical composition

Published online by Cambridge University Press:  30 November 2007

Daniel Teruggi
Daniel Teruggi
Affiliation:
Head of Research, Director of GRM, INA-GRM, Maison de Radio France, Pièce 3521, 116 av du Pt Kennedy, 75220 Paris Cedex 16, France email: dteruggi@ina.fr
Get access Rights & Permissions [Opens in a new window]

Abstract

When studying the history and evolution of the GRM, one of its outstanding features has been its continuous energy dedicated to developing machines, systems and, in recent years, software that would better serve composers' views and intentions. Unique discoveries were made that have become the fundamental concepts of sound manipulation and have influenced researchers and developers in the conception of new, but always somehow faithful to the original, tools for composition. Many steps pave this road, some are known and recognised, others were necessary failures that permitted inventors to re-focus and realise their thoughts.

Type
Research Article
Information
Organised Sound , Volume 12 , Issue 3 , December 2007 , pp. 213 - 231
Copyright
Copyright © Cambridge University Press 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)