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Towards new models for the construction of interactive electroacoustic music discourse*

Published online by Cambridge University Press:  05 April 2007

Daniel Schachter
Daniel Schachter
Affiliation:
National University of Lanús (UNLa), Department of Humanities and Arts, Audiovision Degree career, 29 de Septiembre 3901, Remedios de Escalada (1826) Buenos AiresArgentina National University of Tres de Febrero (UNTref), Department of Arts and Culture, Electronic Arts Degree career, Valentin Gomez 4828, Caseros (1678) Buenos Aires, Argentina email: dans.ds@gmail.com
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Abstract

The advance of technology brings about modifications of style, performing techniques, music listening, and brings to us new relationships between creation, interpretation and perception. The aim of this article is to set out an approach to strategies of musical production for acoustic instruments and technological resources, describing different notions of interaction where the electroacoustic textural complexity coexists with the live processing of the instrumental source and where a goal is to work within the frame of an open and easy-to-carry-out performance structure which is friendly to the musicians, clear as a discourse and attractive to the audience.

Type
Research Article
Information
Organised Sound , Volume 12 , Issue 1 , April 2007 , pp. 67 - 78
Copyright
Copyright © Cambridge University Press 2007

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References

* This paper was presented as an address to the Sonic Arts Network Conference Soundcircus on 12 June 2004 at the Phoenix Arts Centre, Leicester.

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