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Baudelaire's Theory of Practice: Ideology and Difference in “Les yeux des pauvres”

Published online by Cambridge University Press:  23 October 2020

Geraldine Friedman
Geraldine Friedman*
Affiliation:
Purdue University, West Lafayette, Indiana
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Abstract

Baudelaire's poetry dramatizes the self-effacing quality of dominant discourse so well that until recently critics have failed to engage his interest in ideology. In the prose poem “Les yeux des pauvres,” the traces of that self-effacement allow us to read the ideological implications of what seem to be the text's purely aesthetic and ethical dimensions. By staging encounters with social and sexual difference, “Les yeux” challenges the principle of reflexivity underlying its announced aesthetic of the correspondences. In questioning the logic of the same that governs the mystified speaker's figuration and psychology, the text asks whether and how an Other can escape the confines of the official egalitarian ideology of post-1848 France, which tends to cast alterity in its own image.

Type
Research Article
Information
PMLA , Volume 104 , Issue 3 , May 1989 , pp. 317 - 328
Copyright
Copyright © Modern Language Association of America, 1989

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