Published online by Cambridge University Press: 02 December 2020
It is my purpose in this paper to consider the quantity of, the syllables in twenty-five lines of Milton's Paradise Lost. The selection, given below, was read by three different men. The first is an instructor in vocal expression, the second is a graduate student in language and phonetics, and the third is a professor in the Department of General Linguistics. All three are connected with the University of Michigan.
1 A complete 'description of the instrument, and a detailed reading of two plates is given in my thesis on Pause, a Study of its Nature and its Rhythmical Function in Verse, Especially Blank Verse. Edited by Fred Newton Scott in Contributions to Rhetorical Theory.
2 The problem of syllabification is now under investigation at the University of Michigan. The solution of the difficulties involved will be a very material aid in verse analysis.
3 Doubtful division.
4 In my investigation of pause, I found that the syllable or word before the pause is usually greatly lengthened.
5 Other articles dealing with the same subject by Professor Cobb are: “A Type of Four Stress Verse in Shakespeare,” New Shakespearana, Jan. 1911; “A Scientific Basis for Metrics,” Modern Language Notes, xxviii, pp. 142–145.
6 Since there might be a difference of opinion as to how the words in a spondee should be classified, I have omitted these: small drop, line 607; viewed first, line 617; all of line 18; and life dies, death lives, line 624.