An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)
Article purchase
Temporarily unavailable
References
Works Cited
Agamben, Giorgio. Homo Sacer: Sovereign Power and Bare Life. Stanford UP, 1995.Google Scholar
Agamben, Giorgio. State of Exception. U of Chicago P, 2005.Google Scholar
Benjamin, Walter. The Arcades Project. Translated by Howard Eiland and Kevin McLaughlin, Belknap Press, 1999.Google Scholar
Benjamin, Walter. Einbahnstrasse. Ernst Rowohlt Verlag, 1928.Google Scholar
Benjamin, Walter. One-Way Street. Translated by Edmund Jephcott and Kingsley Shorter, Verso, 2021.Google Scholar
Benjamin, Walter. “Theses on the Philosophy of History.” Illuminations: Essays and Reflections, edited by Arendt, Hannah, translated by Harry Zohn, Schocken Books, 2007, pp. 253–64.Google Scholar
Benjamin, Walter. Toward the Critique of Violence: A Critical Edition. Edited by Peter Fenves and Julia Ng, Stanford UP, 2021.CrossRefGoogle Scholar
Cadava, Eduardo, and Nadal-Melsió, Sara. Politically Red. MIT Press, 2023.CrossRefGoogle Scholar
Derrida, Jacques. Khōra. Translated by Ian McLeod. On the Name, Stanford UP, 1995, pp. 89–130.CrossRefGoogle Scholar
Hamacher, Werner. “Afformative, Strike.” Translated by Dana Hollander. Cardozo Law Review, vol. 13, no. 4, 1991, pp. 1133–57.Google Scholar
Jameson, Fredric. The Benjamin Files. Verso, 2020.Google Scholar
Klonk, Charlotte. Spaces of Experience: Art Gallery Interiors from 1800 to 2000. Yale UP, 2009.Google Scholar
Lepecki, André. Singularities: Dance in the Age of Performance. Routledge, 2016.CrossRefGoogle Scholar
Mackey, Nathaniel. From a Broken Bottle Traces of Perfume Still Emanate. New Directions Books, 2010.Google Scholar
Martínez Yépez, Heriberto. ¿Sueñan los marxistas con revoluciones aztecas? Poéticas del náhuatl y el México de Karl Marx y Walter Benjamin. 2018. U of California, Berkeley, PhD dissertation.Google Scholar
Moten, Fred. “Blackness and Nonperformance.” Afterlives: The Persistence of Performance, Museum of Modern Art, 25 Sept. 2015, New York City. YouTube, uploaded by The Museum of Modern Art, www.youtube.com/watch?v=G2leiFByIIg.Google Scholar
Moten, Fred. Hughson’s Tavern. Leon Works, 2008.Google Scholar
Moten, Fred. In the Break: The Aesthetics of the Black Radical Tradition. U of Minnesota P, 2003.Google Scholar
Nadal-Melsió, Sara. Europe and the Wolf: Political Variations on a Musical Figure. Zone Books, 2025.CrossRefGoogle Scholar
Reading Group. Independent Study Program, Whitney Museum of American Art, 10–22 July 2024.Google Scholar
Thomas, Greg. “Blame It on the Sun: George Jackson and Poetry of Palestinian Resistance.” Comparative American Studies, vol. 13, no. 4, 2015, pp. 236–53.CrossRefGoogle Scholar
Werckmeister, Otto Karl. Icons of the Left: Benjamin and Eisenstein, Picasso and Kafka after the Fall of Communism. U of Chicago P, 1999.Google Scholar
Wills, David. Inanimation: Theories of Inorganic Life. Johns Hopkins UP, 2016.Google Scholar