Published online by Cambridge University Press: 23 October 2020
Mikhail Bakhtin's concern with the dialogic nature of the fictional text and of the self serves as an important precursor to more recent theoretical work on “the problem of the subject.” Bakhtin's dialogism is an especially useful tool with which to approach the familiar problem of point of view in The Nigger of the “Narcissus.” A dialogical reading of this novel reveals a polyphony of ideological voices out of which the “I” narrator, who emerges only on the final pages of the novel, is born. Conrad's novel lays bare this function of ideology, the construction of individual subjects. Recalling Conrad's preface, we might say that this process is what the dialogically attuned reader is made to “see” or “hear.”