Hostname: page-component-cd9895bd7-dk4vv Total loading time: 0 Render date: 2024-12-28T05:09:01.575Z Has data issue: false hasContentIssue false

Golden Ages and Golden Hinds; or, Periodizing Spain and England

Published online by Cambridge University Press:  23 October 2020

Extract

The unevenness of periodization across different national traditions provides the perfect opportunity for a comparative and transnational inquiry. While the initial temptation is to deem literatures demarcated by national tradition incommensurate or simply to juxtapose them as disparate objects, the more compelling project, particularly for the early modern period, is to show how literary periodization itself becomes part of the project of national distinction. In this essay, which I want to place in dialogue with Margaret Greer's and Alison Weber's contributions to PMLA's January 2011 “Theories and Methodologies” forum on the Spanish Golden Age, I argue that periodization must be considered in a transnational framework, for our conception of significant literary epochs is closely tied to the relative value that literatures are assigned, especially when national traditions are coalescing.

Type
Theories and Methodologies
Copyright
Copyright © 2012 by The Modern Language Association of America

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Byron, George Gordon. Don Juan. Byron. Ed. McGann, Jerome. Oxford: Oxford UP, 1986. 373879. Print.Google Scholar
Cervantes Saavedra, Miguel. “Al túmulo del rey Felipe II en Sevilla.” Poesías completas. Ed. Gaos, Vicente. Vol. 2. Madrid: Castalia, 1981. 378. Print.Google Scholar
De Bruyn, Frans. “The Critical Reception, 1605–1900.” The Cervantean Heritage: Reception and Influence of Cervantes in Britain. Ed. Ardila, J. A. G. London: Legenda, 2009. Print.Google Scholar
Dobson, Michael. The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660–1769. Oxford: Oxford UP, 1992. Print.Google Scholar
Epilogue. Theobald, n. pag.Google Scholar
Frowde, Philip. Prologue. Theobald, n. pag.Google Scholar
Gaylord, Mary. “‘Yo el soneto’: Cervantes's Poetic of the Cenotaph.” Bucknell Review 39.2 (1996): 128–50. Print.Google Scholar
Graf, Eric. “Escritor/Excretor: Cervantes's ‘Humanism’ on Philip II's Tomb.” Cervantes 19.1 (1999): 6695. Print.Google Scholar
Greene, Thomas M. The Light in Troy: Imitation and Discovery in Renaissance Poetry. New Haven: Yale UP, 1982. Print.Google Scholar
Greer, Margaret R.Thine and Mine: The Spanish ‘Golden Age’ and Early Modern Studies.” PMLA 126.1 (2011): 217–24. Print.Google Scholar
Jonson, Ben. “To the Memory of My Beloved, the Author Mr. William Shakespeare, and What He Hath Left Us.” The Norton Facsimile, the First Folio of Shakespeare. Ed. Hinman, Charlton. 2nd ed. New York: Norton, 1996. 910. Print.Google Scholar
Lamson, Roy, and Smith, Hallett. Preface. The Golden Hind: An Anthology of Elizabethan Prose and Poetry. Ed. Lamson, and Smith, . New York: Norton, 1942. v–vi. Print.Google Scholar
Martín, Adrienne Laskier. Cervantes and the Burlesque Sonnet. Berkeley: U of California P, 1991. Print.10.1525/9780520328334CrossRefGoogle Scholar
Paulson, Ronald. Don Quixote in England: The Aesthetics of Laughter. Baltimore: Johns Hopkins UP, 1998. Print.Google Scholar
Perceval, Richard. Bibliotheca Hispanica. London, 1591. N. pag. Print.Google Scholar
Temple, William. “An Essay upon Ancient and Modern Learning.” Miscellanea. The Second Part. In Four Essays. London, 1690. Print.Google Scholar
Theobald, Lewis. Double Falshood; or, The Distrest Lovers. A Play, As It Is Acted at the Theatre-Royal in Drury-Lane. Written Originally by W. Shakespeare; And Now Revised and Adapted to the Stage by Mr. Theobald, the Author of Shakespeare Restor'd. London: Watts, 1728. Print.Google Scholar
Warburton, William. The Divine Legation of Moses Demonstrated. London: Fletcher Gyles, 1742. Print.Google Scholar
Weber, Alison. “Golden Age or Early Modern: What's in a Name?PMLA 126.1 (2011): 225–32. Print.Google Scholar