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Published online by Cambridge University Press: 02 December 2020
Professor Louis B. Wright, in a very interesting paper on “Madmen as Vaudeville Performers on the Elizabethan Stage,” cites as one of his examples the madmen's scene of The Duchess of Malfi with the following comment:
The modern reader is prone to regard the introduction of the madmen in Act 4, Sc. 2, purely as a means of intensifying the horrors of the scene, but to an Elizabethan, the antics of the madmen furnished comic entertainment. It is certain that the madmen were not regarded as a horror by the contemporary audience; the author himself, at some pains to account for the madmen, makes Ferdinand explain that they are there to keep the Duchess awake.
1 JEGP, xxx (January, 1931), pp. 48–54.
2 The Works of John Webster, ed. F. L. Lucas (London, 1927), i, 34.
3 John Corbin, The Elizabethan Hamlet (London, 1895), p. 63.