Hostname: page-component-cd9895bd7-8ctnn Total loading time: 0 Render date: 2024-12-26T06:42:54.968Z Has data issue: false hasContentIssue false

“That Which Is Always Beginning”: Stevens's Poetry of Affirmation

Published online by Cambridge University Press:  23 October 2020

Steven Shaviro*
Affiliation:
University of WashingtonSeattle

Abstract

Wallace Steven's later poetry traces the multiple investments of desire that impel a world in perpetual metamorphosis. The works from “Notes toward a Supreme Fiction” onward constitute an unlimited and ceaselessly repeated affirmation of difference, heterogeneity, and change. The evanescent movements of this poetry can never be reduced to sameness or self-identity, but they produce partial and temporary fixities of subjectivity and signification as local effects. Steven's radical perspectivism and his rejection of concepts of identity and substance work to subvert traditional dualisms of subject and object, language and world, and assertion and denial. But this work of displacement is never merely negative and destructive. Stevens's later poetry celebrates what Nietzsche calls “the eternal joy of becoming,” and in so doing it exceeds the limits of Western humanist thought.

Type
Research Article
Information
PMLA , Volume 100 , Issue 2 , March 1985 , pp. 220 - 233
Copyright
Copyright © Modern Language Association of America, 1985

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Bloom, Harold. The Ringers in the Tower: Studies in Romantic Tradition. Chicago: U of Chicago P, 1971.Google Scholar
Bloom, Harold. Wallace Stevens: The Poems of Our Climate. Ithaca: Cornell UP, 1977.Google Scholar
Deleuze, Gilles. Nietzsche and Philosophy. Trans. Tomlinson, Hugh. London: Athlone, 1983.Google Scholar
Deleuze, Gilles. Proust and Signs. Trans. Howard, Richard. New York: Braziller, 1972.Google Scholar
Deleuze, Gilles, and Guattari, Felix. Anti-Oedipus: Capitalism and Schizophrenia. Trans. Hurley, Robert, Seem, Mark, and Lane, Helen R. Minneapolis: U of Minnesota P, 1983.Google Scholar
Kenner, Hugh. A Homemade World: The American Modernist Writers. New York: Knopf, 1975.Google Scholar
Miller, J. Hillis. Poets of Reality: Six Twentieth-Century Writers. Cambridge: Harvard UP, 1966.Google Scholar
Miller, J. Hillis. “Stevens' Rock and Criticism as Cure.” Aesthetics Today. Ed. Philipson, Morris and Gudel, Paul J. Rev. ed. New York: NAL, 1980. 497536.Google Scholar
Nietzsche, Friedrich. Twilight of the Idols. The Portable Nietzsche. Trans. and ed. Walter Kaufmann. New York: Viking, 1954.Google Scholar
Nietzsche, Friedrich. The Will to Power. Trans. Kaufmann, Walter and Hollingdale, R. J. New York: Vintage, 1968.Google Scholar
Pearce, Roy Harvey, and Hillis Miller, J., eds. The Act of the Mind: Essays on the Poetry of Wallace Stevens. Baltimore: Johns Hopkins P, 1965.Google Scholar
Quinn, M. Bernetta. “Wallace Stevens' ‘Fluent Mundo.‘The Metamorphic Tradition in Modern Poetry. New York: Gordian, 1972. 4988.Google Scholar
Stevens, Wallace. The Collected Poems of Wallace Stevens. New York: Knopf, 1954.Google Scholar
Stevens, Wallace. Opus Posthumous. Ed. Morse, Samuel French. New York: Knopf, 1957.Google Scholar
Stevens, Wallace. The Palm at the End of the Mind: Selected Poems and a Play. Ed. Stevens, Holly. New York: Vintage, 1972.Google Scholar
Vendler, Helen. On Extended Wings: Wallace Stevens' Longer Poems. Cambridge: Harvard UP, 1969.Google Scholar
Vendler, Helen. “The Qualified Assertions of Wallace Stevens.” Pearce and Miller 163–78.Google Scholar