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Shaping sounds, shaping spaces

Published online by Cambridge University Press:  16 June 2010

Lelio Camilleri
Lelio Camilleri
Affiliation:
Conservatory of Music G.B. Martini, Piazza Rossini 2, 40126 Bologna, Italy E-mail: lc@leliocamilleri.it
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Abstract

The recorded format is the medium through which popular music is diffused. Since the advent of multi-track recording, the studio has become a compositional tool in which musical ideas are formed into sounding matter. Direct access to the manipulation of sound layers and the possibility of mixing different sources and moving them in the stereo window become not only technical options but musical and compositional properties. In fact, the organization of the recording space reflects more and more the structural organization of the music itself; the sound of the record is a sort of sonicprint (sounding fingerprint) of the music of an artist in a particular period. This paper develops the idea of sonic space, a multi-dimensional representation of the recording space in which spatial, morphological and spectral spaces interact in order to form the structure on which the sounding matter of the piece is developed. Through the analysis of the properties of each space and their relationships, it is possible to point out normative behaviours, well defined associations between more musical aspects like motives, harmony, melodies and their organization in the sounding structure.

Type
Articles
Information
Popular Music , Volume 29 , Issue 2 , May 2010 , pp. 199 - 211
Copyright
Copyright © Cambridge University Press 2010

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