We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
Empire of Dirt: The Aesthetics and Rituals of British Indie Music. By Wendy Fonarow. Middletown: Wesleyan University Press, 2006. xiv + 315 pp. ISBN 978-0-8195-6811-3 (pb)
Published online by Cambridge University Press:
18 June 2009
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)
References
Bannister, M.2006. White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock (Aldershot, Ashgate)Google Scholar
Cohen, S.1991. Rock Culture in Liverpool: Popular Music in the Making (Oxford, Clarendon)Google Scholar
Finnegan, R.2007 [1989]. The Hidden Musicians: Music-Making in an English Town (Middletown, Wesleyan University Press)Google Scholar
Hesmondhalgh, D.1997. ‘Post-punk's attempt to democratise the music industry: the success and failure of rough trade’, Popular Music, 16/3, pp. 255–274CrossRefGoogle Scholar
Hesmondhalgh, D.1999. ‘Indie: the institutional politics and aesthetics of a popular music genre’, Cultural Studies, 13/1, pp. 34–61Google Scholar
Kruse, H.2003. Site and Sound: Understanding Independent Music Scenes (New York, Peter Lang)Google Scholar
Lee, S.1995. ‘Re-examining the concept of the “independent” record company: the case of Wax Trax! Records’, Popular Music, 14/1, pp. 13–31Google Scholar
Small, C.1998. Musicking: The Meanings of Performing and Listening (Middletown, Wesleyan University Press)Google Scholar