Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-28T05:05:04.759Z Has data issue: false hasContentIssue false
  • English
  • Français

The flamenco body

Published online by Cambridge University Press:  11 November 2008

William Washabaugh
Get access Rights & Permissions [Opens in a new window]

Extract

This article is part of an on-going analysis of a Spanish television documentary series entitled Rito y Geografía del Cante. This larger on-going analysis treats the programmes in this series as ‘cultural performances’. The programmes are assumed to model personhood as they go about presenting information about flamenco music. This particular article focuses on the role of the body in these performed models of personhood.

Type
Articles
Information
Popular Music , Volume 13 , Issue 1 , January 1994 , pp. 75 - 90
Copyright
Copyright © Cambridge University Press 1994

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Alvarez Caballero, Angel. 1981. Historia del Cante Flamenco (Madrid)Google Scholar
Arrebola, Alfredo. 1990. Los Escritores Malagueños y El Flamenco (Cadiz)Google Scholar
Attali, Jacques. 1987. Noise: The Political Economy of Music (Minneapolis)Google Scholar
Bakhtin, Mikhail. 1981. The Dialogic Imagination (Austin, Texas)Google Scholar
Barry, Kevin. 1987. Language, Music and the Sign: A Study in Aesthetics, Poetics and Poetic Practice from Collins to Coleridge (New York)Google Scholar
Barthes, Roland. 1977. ‘The grain of the voice’ Image-Music-Text (New York)Google Scholar
Caballero Bonald, José. 1975. Luces y Sombras del Flamenco (Madrid)Google Scholar
Campbell, Joseph. 1972. Myths to Live By (New York)Google Scholar
Corbett, John. 1990. ‘Free, single, and disengaged: listening pleasure and the popular music object’, October, 54, pp. 79–101Google Scholar
Crowley, Tony. 1989. ‘Bakhtin and the history of language’. Bakhtin and Cultural Theory, ed. Hirschkop, Ken and Shepherd, David (New York)Google Scholar
De Certeau, Michel. 1984. The Practice of Everyday Life (Berkeley)Google Scholar
De Certeau, Michel. 1988. The Writing of History (New York)Google Scholar
Doe, John. 1988. Speak Into the Mirror: A Story of Linguistic Anthropology (Lanham, Maryland)Google Scholar
Frith, Simon. 1988. Music For Pleasure: Essays in the Sociology of Pop (New York)Google Scholar
Gelardo, José and Belade, Francine. 1985. Sociedad y Cante Flamenco (Murcia)Google Scholar
Goffman, Erving. 1983. ‘Felicity's condition’, American Journal of Sociology, vol. 89, (1):1–53Google Scholar
González Clíment, Anselmo. 1964. Flamencología (Madrid)Google Scholar
Grande, Félix. 1992. ‘Teoría del Duende’, Los Intelectuales ante el Flamenco (Cuadernos Hispanoamericanos, 9/10)Google Scholar
Greenblatt, Stephen. 1990. Learning to Curse: Essays in Early Modern Culture (New York)Google Scholar
Grossberg, Lawrence. 1992. We Gotta Get Out of This Place: Popular Conservatism and Postmodern Culture (New York)Google Scholar
Hecht, Paul. 1968. The Wind Cried (New York)Google Scholar
Herrero, Germán. 1991. De Jerez a Nueva Orleans: Análisis Comparativo del Flamenco y del Jazz (Granada)Google Scholar
Josephs, Brian. 1983. The White Wall of Spain (Ames, Iowa)Google Scholar
Lakoff, George and Johnson, Mark. 1980. Metaphors We Live By (Chicago)Google Scholar
Leder, David. 1990. The Absent Body (Chicago)Google Scholar
Lee, David. 1992. Competing Discourses: Perspective and Ideology in Language (New York)Google Scholar
Middleton, Richard. 1989. Studying Popular Music (Philadelphia)Google Scholar
Mitchell, Timothy. 1988. Violence and Piety in Spanish Folklore (Philadelphia)Google Scholar
Mitchell, Timothy. 1990. Passional Culture: Emotion, Religion, and Society in Southern Spain (Philadelphia)Google Scholar
Mitchell, Timothy. 1991. Blood Sport: A Social History of Spanish Bullfighting (Philadelphia)Google Scholar
Molina, Ricardo. 1981 (1965). Cante Flamenco (Madrid)Google Scholar
Molina, Ricardo. 1985 (1967). Misterios del Arte Flamenco (Sevilla)Google Scholar
Nichols, Bill. 1991. Representing Reality: Issues and Concepts in Documentary (Bloomington, Indiana)Google Scholar
Padel, Ruth. 1992. In and Out of the Mind: Greek Images of the Tragic Self (Princeton, New Jersey)Google Scholar
Quiñones, Fernando. 1982. El Flamenco, Vida y Muerte (Barcelona)Google Scholar
Reynolds, Simon. 1990. Blissed Out: The Raptures of Rock (London)Google Scholar
Rios Rúiz, Manuel. 1991. Historias y Teorías del Cante Jondo, (Madrid)Google Scholar
Rossy, Hipólito. 1966. Teoría del Cante Jondo (Barcelona)Google Scholar
Serrano, Juan and Elgorriaga, José. 1991. Flamenco, Body and Soul: An Aficionado's Introduction (Fresno, California)Google Scholar
Scott, James C. 1990. Domination and the Arts of Resistance: Hidden Transcripts (New Haven)Google Scholar
Stallybrass, Peter and White, Allon. 1986. The Politics and Poetics of Transgression (Ithaca, New York)Google Scholar
Stam, Robert. 1989. Subversive Pleasures (Baltimore)Google Scholar
Turner, Bryan. 1984. The Body and Society: Explorations in Social Theory (Oxford)Google Scholar
Turner, Victor. 1969. The Ritual Process: Structure and Anti-Structure (Chicago)Google Scholar
Woodall, James. 1992. In Search of the Firedance: Spain through Flamenco (London)Google Scholar
Zern, Brook. 1987. ‘Flamencología’, Guitar Review, Fall, pp. 23–4Google Scholar