Hostname: page-component-cd9895bd7-hc48f Total loading time: 0 Render date: 2024-12-28T02:55:20.993Z Has data issue: false hasContentIssue false
  • English
  • Français

Groove: A Phenomenology of Rhythmic Nuance. By Tiger C. Roholt . New York: Bloomsbury Academic, 2014. 175 pp. ISBN 978-1-4411-04182-2

Published online by Cambridge University Press:  19 June 2017

Philip Boast
Philip Boast*
Affiliation:
University of Nottingham, UK
*
philip.boast@nottingham.ac.uk
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Popular Music , Volume 36 , Issue 2 , May 2017 , pp. 324 - 326
Copyright
Copyright © Cambridge University Press 2017 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Benson, B.E. 2003. The Improvisation of Musical Dialogue: a Phenomenology of Music (Cambridge, Cambridge University Press)CrossRefGoogle Scholar
Danielsen, A. 2006. Presence and Pleasure: the Funk Grooves of James Brown and Parliament (Middletown, CT, Wesleyan University Press)Google Scholar
Doffman, M. 2008. ‘Feeling the groove: shared time and its meanings for three jazz trios’, PhD thesis, Open University Google Scholar
Keil, C. 1966. ‘Motion and feeling through music’, Journal of Aesthetics and Art Criticism, 24, pp. 337–49CrossRefGoogle Scholar
Keil, C. 1987. ‘Participatory discrepancies and the power of music’, Cultural Anthropology, 2, pp. 275–83CrossRefGoogle Scholar
Sudnow, D. 1978. Ways of the Hand: the Organization of Improvised Conduct (London, Routledge & Kegan Paul)Google Scholar