Published online by Cambridge University Press: 07 January 2005
Why do bands keep audiences waiting? This question is one among several by which I aim to delimit the phenomenon of the public performance experience. I want to determine how far a concert is a sequence of rituals – rather than an encounter critically focused on the act of music-making – where it is the observance of each component that decides the success of the occasion. I ask this of all types of concerts, by the way, but – hey – this is a popular music journal.