Crossref Citations
This article has been cited by the following publications. This list is generated based on data provided by
Crossref.
Cloonan, Martin
2002.
Hitting the right note? the New Deal for musicians.
Journal of Vocational Education & Training,
Vol. 54,
Issue. 1,
p.
51.
Symon, Peter
and
Cloonan, Martin
2002.
Playing Away: Popular Music, Policy and Devolution in Scotland.
Scottish Affairs,
Vol. 40 (First Serie,
Issue. 1,
p.
99.
Steinberg, Marc W.
2004.
When politics goes pop: on the intersections of popular and political culture and the case of Serbian student protests.
Social Movement Studies,
Vol. 3,
Issue. 1,
p.
3.
Young, David
2005.
The CBC and the Juno Awards.
Canadian Journal of Communication,
Vol. 30,
Issue. 3,
p.
343.
Dubber, Andrew
2007.
Tutira Mai Nga Iwi (Line up together, people): Constructing New Zealand identity through commercial radio.
Radio Journal:International Studies in Broadcast & Audio Media
,
Vol. 5,
Issue. 1,
p.
19.
KAPLAN, DANNY
2009.
THE SONGS OF THE SIREN: Engineering National Time on Israeli Radio.
Cultural Anthropology,
Vol. 24,
Issue. 2,
p.
313.
McLaughlin, Noel
2011.
Bono! Do you ever take those wretched sunglasses off?.
Popular Music History,
Vol. 4,
Issue. 3,
p.
309.
Neiger, Motti
Meyers, Oren
and
Zandberg, Eyal
2011.
Tuned to the nation’s mood: Popular music as a mnemonic cultural object.
Media, Culture & Society,
Vol. 33,
Issue. 7,
p.
971.
Scott, Michael
and
Craig, David
2012.
The promotional state ‘after neo-liberalism’: ideologies of governance and New Zealand's pop renaissance.
Popular Music,
Vol. 31,
Issue. 1,
p.
143.
Looseley, David L.
2012.
Democratising the popular: the case of pop music in France and Britain.
International Journal of Cultural Policy,
Vol. 18,
Issue. 5,
p.
579.
Murphy, Michael Mary
2013.
Irish Blood English Heart: Second Generation Irish Musicians in England. By Sean Campbell. Cork: Cork University Press, 2011. xii + 260 pp. ISBN 978-1-859-18490-5.
Popular Music,
Vol. 32,
Issue. 1,
p.
128.
Cohen, Sara
2013.
Musical memory, heritage and local identity: remembering the popular music past in a European Capital of Culture.
International Journal of Cultural Policy,
Vol. 19,
Issue. 5,
p.
576.
Tochka, Nicholas
2013.
Pussy Riot, freedom of expression, and popular music studies after the Cold War.
Popular Music,
Vol. 32,
Issue. 2,
p.
303.
Malang, Thomas
2016.
Die politische Dimension von Popmusik: Theoretische Zugänge, empirische Befunde und Potenzial der politikwissenschaftlichen Analyse.
Zeitschrift für Politikwissenschaft,
Vol. 26,
Issue. 2,
p.
229.
Spalding, Eric
2017.
Turning Point: The Origins of Canadian Content Requirements for Commercial Radio.
Journal of Canadian Studies,
Vol. 50,
Issue. 3,
p.
669.
Mazierska, Ewa
2019.
Made in Poland.
p.
201.
Keogh, Brent
Brunt, Shelley
and
Giuffre, Liz
2019.
Eurovision and Australia.
p.
101.
Negus, Keith
2019.
Nation-states, transnational corporations and cosmopolitans in the global popular music economy.
Global Media and China,
Vol. 4,
Issue. 4,
p.
403.
Um, Haekyung
2019.
UK–Asia music business collaborations: Liverpool Sound City, Modern Sky and Zandari Festa.
Global Media and China,
Vol. 4,
Issue. 4,
p.
437.
Maedza, Pedzisai
2020.
Third Time Lucky: Freshlyground and Cross-border Censorship in Zimbabwe.
Popular Music and Society,
Vol. 43,
Issue. 5,
p.
550.