Hostname: page-component-cd9895bd7-7cvxr Total loading time: 0 Render date: 2024-12-27T10:10:58.991Z Has data issue: false hasContentIssue false
  • English
  • Français

Progressive rock and psychedelic coding in the work of Jimi Hendrix

Published online by Cambridge University Press:  11 November 2008

Sheila Whiteley
Get access Rights & Permissions [Opens in a new window]

Extract

Discussion of the 1960s generally identifies progressive rock as the prime organ of communication within the counter-culture. At the same time, musical analysis of the genre is an underdeveloped field of study, including only an identification of musical characteristics (Willis 1978), Mellers' analysis of the Beatles (1973) and Middleton and Muncie's analysis of five representative songs in the Open University's course, Popular Culture (1981). As a particularly heterogeneous genre (compared with, for example, rock 'n' roll and r&b), definitions of progressive rock equally raise problems: to what extent does the variety of styles reflect the variety of radical movements contained within the overall term counter-culture; alternatively, given the variety of styles, can progressive rock be considered a single phenomenon and, if so, to what extent does it have musical codes in common?

Type
Research Article
Information
Popular Music , Volume 9 , Issue 1 , January 1990 , pp. 37 - 60
Copyright
Copyright © Cambridge University Press 1990

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Brown, H. and Pearce, D. 1978. Jimi Hendrix (London)Google Scholar
Fort, J. 1969. The Pleasure Seekers: the Drug Crisis, Youth and Society (New York)Google Scholar
Frith, S. 1978. The Sociology of Rock (London)Google Scholar
Gillett, C. 1970. The Sound of the City (London)Google Scholar
Mellers, W. 1973. Twilight of the Gods (London)Google Scholar
Melody Maker, 1967Google Scholar
Middleton, R. and Muncie, J. 1981. ‘Pop culture, pop music and post-war youth: countercultures’, in Politics, Ideology and Popular Culture (1) (Popular Culture, Unit 20) (Milton Keynes)Google Scholar
Pidgeon, J. 1976. Eric Clapton (London)Google Scholar
Willis, P. 1978. ‘The Creative Age’, Profane Culture (London)Google Scholar