Hostname: page-component-cd9895bd7-gvvz8 Total loading time: 0 Render date: 2024-12-27T10:40:55.110Z Has data issue: false hasContentIssue false

Twins of Evil: an investigation into the aesthetics of film music

Published online by Cambridge University Press:  11 November 2008

Extract

If you are a movie fan (and who isn't) you may sit in a movie theatre three times a week listening to the symphonic background scores which Hollywood composers concoct. What happens? Your musical tastes become moulded by these scores, heard without knowing it. You see love, and you hear it. Simultaneously. It makes sense. Music suddenly becomes a language for you, without your knowing it. (Thomas 1973, p. 171).

Type
Research Article
Copyright
Copyright © Cambridge University Press 1990

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adorno, Theodor. 1952. Versuch über Wagner (Frankfurt). English translation: In Search of Wagner (London, 1981), pp. 90–1Google Scholar
Buscombe, Edward. 1976. Making ‘Legend of the Werewolf’ (London)Google Scholar
Eisler, Hans and Adorno, Theodor. 1948. Composing for Films (Oxford)Google Scholar
Higson, Andrew. 1984. Sound Cinema, Screen, 25 (1, 01/02), p. 74CrossRefGoogle Scholar
Huckvale, D. 1988. ‘Wagner and the mythology of film music’, Wagner, 9 (2, 04)Google Scholar
Koestler, Arthur. 1970. Darkness at Noon (Geneva)Google Scholar
Lawrence, D. H. 1981. A Collier's Friday Night (Harmondsworth)Google Scholar
McCarty, C. (ed.). 1986. The Cue Sheet (Los Angeles)Google Scholar
Metz, Christian. 1974. Film Language: A Semiotics of the Cinema (London)CrossRefGoogle Scholar
Tagg, Philip. 1979. Kojak: Fifty Seconds of TV Music (Gothenburg)Google Scholar
Thomas, Tony. 1973. Making Music for the Movies (New York)Google Scholar
Wagner, Richard. 1859. Letter to Mathilde Wesendock, 29 10, in Selected Letters of Richard Wagner (London, 1987, p. 475)Google Scholar
Wescott, S. D. 1985. Comprehensive Bibliography of Music for Film and Television (Detroit)Google Scholar