No CrossRef data available.
Published online by Cambridge University Press: 01 January 2020
In this paper I do not enter into the details of temperament. I deal with it as a whole—as the science to which belongs that modification of the tonality of intervals, which enters into our system—my object being to point out the principle of its relation to music.
∗• In the diagrams the differences between the ratios are exaggerated for the sake of clearness.Google Scholar