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Destruction in Cambridge and Hollywood On the scent of analytical meanings behind a recent film

Published online by Cambridge University Press:  02 January 2018

Jennifer Pearce
Jennifer Pearce*
Affiliation:
Registrar in Psychiatry and Psychotherapy, Harlow House, High Wycombe HP13 6AA
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As part of winding-down from the Society for Psychotherapy Research's conference in Ravenscar and the Royal College of Psychiatrist's meeting in Cambridge on destruction, I went to see the award winning film Scent of a Woman∗. There was a synchronicity to this choice since in retrospect it seemed to me to reflect much of what was to be gained from the two conferences.

Type
Psychiatry and the media
Information
Psychiatric Bulletin , Volume 17 , Issue 12 , December 1993 , pp. 757 - 758
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution (CC-BY) license (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited.
Copyright
Copyright © Royal College of Psychiatrists 1993

References

Meltzer, D. & Williams, M. H. (1988) The Apprehension of Beauty. The Role of Aesthetic Conflict in Development, Art and Violence. Scotland: Clunie Press.Google Scholar
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