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The Reconciliation of Jñāna and Bhakti in Rāmacaritamānasa*

Published online by Cambridge University Press:  24 October 2008

F. R. Allchin
Affiliation:
Reader in Indian Studies, University of Cambridge

Extract

Rāmacaritamānasa is a truly remarkable work, and the celebration of the fourth centenary of its composition calls for some recognition. Consider the artless guile of its author: at the start he protests that he is no poet, without skill in letters, lacking in all arts and sciences, lacking in all literary skills; and yet he has presented us with a creation of extraordinary skill and beauty, revealing, within the Indian context, a broad grasp of learning and a zeal to reconcile divergent doctrines. On the one hand Tulsīdās protests that he has done the work simply for his own personal satisfaction (svāntaḥ sukhāya), and on the other he proclaims that its virtue is the infiniteness of its theme. This is why Rāmacaritamānasa deserves attention, and why its study can be so rewarding.

Type
Research Articles
Copyright
Copyright © Cambridge University Press 1976

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References

page 81 note 1 Rāmacaritanānasa (RCM) I. Caupai 9, 4–6.

page 81 note 2 RCM I. śloka 7.

page 81 note 3 RCM I. Caupai 10, 1–5; I. Caupai 12, 5; 1. Caupai 33, 3, etc.

page 81 note 4 RCM III. Caupais 35–6.

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page 89 note 4 Vinayapatrikā 136, 10–12.

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