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Published online by Cambridge University Press: 20 November 2018
1 The difficulty of pinpointing exactly the meaning of these sjumato landscapes is proved by this antithesis: whereas Gantner recognizes in the Mona Lisa background natural forces in their work of destruction, Dr. Kenneth D. Keele interprets ‘the primeval background’ as ‘the Creation'; cf. Time, Dec. 22,1958, p. 41.
2 Wind, E., however, thinks that these drawings probably were intended as designs for theatrical festivals (The Listener, May I, 1952, p. 706).Google Scholar