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Exile and Petrarch’s Reinvention of Authorship

Published online by Cambridge University Press:  20 November 2018

Laurence E. Hooper
Laurence E. Hooper*
Affiliation:
Dartmouth College
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Abstract

This article demonstrates a systematic connection between the novelty of Petrarch’s authorship and his self-definition as an exile. Petrarch employs the unusual term exilium/esilio to substantiate his unprecedented claim that literature is a legally valid officium (civic role). Following Dante, Petrarch grounds his exilic authorship in the Christian discourse of peregrinatio: life as pilgrimage through exile. But Petrarch’s new officium allows him a measure of control over literary creation that no prior Italian writer had enjoyed. This is especially true of the “Canzoniere,” Petrarch’s compilation of his vernacular lyrics, whose singularity functions as a proxy for its author’s selfhood.

Type
Studies
Information
Renaissance Quarterly , Volume 69 , Issue 4 , Winter 2016 , pp. 1217 - 1256
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Copyright © 2016 Renaissance Society of America

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