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David, Bathsheba, and the Penitential Psalms*

Published online by Cambridge University Press:  20 November 2018

Clare L. Costley*
Affiliation:
University of Pennsylvania

Abstract

This essay examines the illustrations that accompanied the seven Penitential Psalms in medieval and Renaissance Books of Hours. Until the end of the fifteenth century, the Penitential Psalms were glossed visually by a wide range of subjects, including the Last Judgment, Christ enthroned, David playing a musical instrument, and (most commonly) David repenting for his sins. But from the beginning of the sixteenth century it became customary to represent the Penitential Psalms with an image of David observing Bathsheba as she bathes. Moreover, the subject of David and Bathsheba rapidly migrated from Books of Hours into a variety of devotional, catechetical, and educational texts. It even crossed the Atlantic to colonial America, where, in The New England Primer, it was used to teach young children how to read. These facts not only suggest a shift in attitudes towards penance and sin at the end of the Middle Ages, but also challenge modern assumptions about the historical relationship between sexuality, catechesis, and literacy.

Type
Studies
Copyright
Copyright © Renaissance Society of America 2004

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Footnotes

*

I am enormously indebted to Peter Stallybrass, whose comments on earlier versions of this essay helped considerably to shape its final form. My interlocutors at the Barnard College Medieval and Renaissance Conference (December 2002), the University of Pennsylvania Medieval and Renaissance Seminar (January 2003), the University of Pennsylvania Graduate Humanities Forum Conference (April 2003), and the Princeton University Graduate Student Book History Conference (February 2004), offered provocative feedback. I am thankful for additional input and support from Alan E. Costley, Erika Crawford, Margreta de Grazia, Genelle Gertz-Robinson, Stephanie Gibbs, Marissa Greenberg, Emily Greenwood, Paul F. Grendler, Rayna Kalas, Michelle Karnes, Tim Krause, Anne Lake Prescott, Michael Reeve, Jeffrey Chipps Smith, David Wallace, and an anonymous RQ reader. I have benefited greatly from the patience and kindness of many librarians and curators, including Colum P. Hourihane, Joanne Kennedy, Cornelia King, John Pollack, Joël Sartorius, and Don C. Skemer. My research was facilitated by a Harvey Fellowship and a University of Pennsylvania School of Arts and Sciences Dissertation Fellowship.

References

Bibliography

Rare Book Department, The Free Library of Philadelphia

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16010: The manuall of prayers, or the prymer in Englyshe, … Set forth by John [Hibey] late bysshope of Rochester. London: J. Mayler for J. Wayland, 1539.Google Scholar
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16023: Hore beate Marie virginis secundum verum vsum insignis ecclesie Sarisburiensis. Antwerp: M. Crom, 1542.Google Scholar
16034: The primer, let foorth by the kynges maiestie and his clergie, to be taught lerned, & read: and none other to be vsed throughout all his dominions. London: R. Grafton, 1545.Google Scholar
16037: . [Anr. ed.] London: E. Whitchurch, 1545.Google Scholar
16042: Orarium seu libellusprecationum per Regiam maiestatem & clerum latine aeditus. London: R. Grafton, 1546.Google Scholar
16062: The primer in English and Latin, after Salisburie vse. London: R. Caly, 1555.Google Scholar
16073: The primer in English and Latin, after Salisburie vse. London: R. Caly, 1556.Google Scholar
16104: Hore heatissime virginis Marie ad legitimum Eboracensis ecclesie ritum. Rouen: For G. Bernard and J. Cousin, 1517.Google Scholar
24873: Voragine, Jacobus de. (Thus endeth the legende named in latyn legenda aurea.) Trans. William Caxton. London: W. Caxton, 1483.Google Scholar
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Avril, François, and Reynaud, Nicole. Les Manuscrits à Peintures en France, 1440-1520. Rev. ed. Paris, 1995.Google Scholar
Bal, Mieke. “Reading Bathsheba: From Mastercodes to Misfits.” In Rembrandt's Bathsheba Reading King David's Letter (1998), 119-46.Google Scholar
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Courtenay, William J. Schools and Scholars in Fourteenth-Century England. Princeton, 1987. ‘ Crain, Patricia. The Story of A: The Alphabetization of America from The New England Primer to The Scarlet Letter. Stanford, 2000.Google Scholar
Cummings, Brian. “Iconodasm and Bibliophobia in die English Reformations, 1521-1558.” In Images, Idolatry, and Iconoclasm in Late Medieval England: Textuality and the Visual Image, ed. Jeremy Dimmick, James Simpson, and Nicolette Zeeman, 185206. Oxford, 2002.Google Scholar
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Donovan, Claire. The de Brailes Hours: Shaping the Book of Hours in Thirteenth-Century Oxford. Toronto and Buffalo, 1991.Google Scholar
Duffy, Eamon. The Stripping of the Altars: Traditional Religion in England, C.1400-C.1580. New Haven and London, 1992.Google Scholar
Engammare, Max. “La Morale ou la Beaute? Illustrations des Amours de David et Bedisabee (II Samuel 11-12. dans les Bibles des XVe-XVIIe Siecles.” In La Bible Imprimee dans I'Europe Modeme, ed. Schwarzbach, Eugene, 447-76. Paris, 1999.Google Scholar
Erasmus, Desiderius. Desiderii Erasmi Roterodami Opera Omnia. Ed. Clericus, Johannes. 10 vols. 1703-06. Facsimile reprint, Hildesheim, 1961-62.Google Scholar
Erler, Mary C. “Devotional Literature.” In The Cambridge History of the Book in Britain, Volume III: 1400-1557, ed. Hellinga, Lotte and J. B. Trapp, 495525. Cambridge and New York, 1999.Google Scholar
Foster, Frances, ed. The Northern Passion: Four Parallel Texts and the French Original, with Specimens of Additional Manuscripts. 2 vols. London, 1913 Google Scholar
Foster, Frances 16. Foucault, Michel. The History of Sexuality: Volume I: An Introduction. Trans. Hurley, Robert. New York, 1990.Google Scholar
Fox, Everett, trans. Give Us A King! Samuel, Saul, and David: A New Translation of Samuel I and II. New York, 1999.Google Scholar
Freedberg, David. “Johannes Molanus on Provocative Paintings.” Journal of the Warburg and Courtauld Institutes 34 (1971): 229-45.Google Scholar
Harthan, John P. Books of Hours and their Owners. London, 1977.Google Scholar
Harvard College Library Department of Printing and Graphic Arts. Catalogue of Books and Manuscripts. Part I: French 16th Century Books. Comp. Ruth Mortimer. 2 vols. Cambridge, MA, 1964.Google Scholar
Horstmann, C, ed. “Canticum de creationt.“ Anglia 1 (1878): 287331.Google Scholar
Horstmann, C, ed. “De ligno see crucis.” Archiv fur das Studium der neueren Sprachen 79 (1887): 465-69.Google Scholar
Huttar, Charles A. “Frail Grass and Firm Tree: David as a Model of Repentance in the Middle Ages and Early Renaissance.” In The David Myth in Western Literature (1980), 38-54.Google Scholar
Jerome, . Epistolae. Ed. J.-P. Migne. Paris, 1845.Google Scholar
Kuczynski, M. P. Prophetic Song: The Psalms as Moral Discourse in Late Medieval England. Philadelphia, 1995.Google Scholar
Kunoth-Leifels, Elisabeth. Uber die Darstellungen der “Bathseba im Bade“: Studien zur Geschichte des Bildthemas 4. bis 17- Jahrhundert. Essen, 1962.Google Scholar
Luborsky, , Samson, Ruth, and Ingram, Elizabeth Morley. A Guide to English Illustrated Books, 1536-1603. 2 vols. Tempe, 1998.Google Scholar
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