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The Witches of Dürer and Hans Baldung Grien*

Published online by Cambridge University Press:  20 November 2018

Margaret A. Sullivan
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Abstract

This study seeks to demonstrate that the timing, subject, and audience for the art of Dürer and Hans Baldung Grien all argue against the view that the witches in their prints and drawings were a reaction to actual witch-hunts, trials, or malevolent treatises such as the Malleus maleficiarum. The witch craze did not gain momentum until late in the sixteenth century while the witches of Dürer and Hans Baldung Grien belong to an earlier era. They are more plausible as a response to humanist interest in the poetry and satire of the classical world, and are better understood as poetic constructions created to serve artistic goals and satisfy a humanist audience.

Type
Studies
Information
Renaissance Quarterly , Volume 53 , Issue 2 , Summer 2000 , pp. 333 - 401
Copyright
Copyright © Renaissance Society of America 2000

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