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The Icon and the Sax: Stites in Bright Lights

Published online by Cambridge University Press:  27 January 2017

Robert Edelman
Robert Edelman*
Affiliation:
Department of History, University of California, San Diego
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Abstract

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Type
Review Article
Information
Slavic Review , Volume 52 , Issue 3 , Fall 1993 , pp. 568 - 578
Copyright
Copyright © Association for Slavic, East European, and Eurasian Studies. 1993

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References

1. Stites's approach comes interestingly close to the left reading of Mikhail Bakhtin's dialogism offered by Robert Stam, “Mikhail Bakhtin and Left Cultural Critique, ” in E. Ann Kaplan, ed., Postmodernism and its Discontents : Theories, Practices (London : Verso, 1988) 118.

2. Russian Popular Culture, 96.

3. Sheila Fitzpatrick, “Cultural Revolution as Class War, ” in Fitzpatrick, ed., Cultural Revolution in Russia, 1928-1931 (Bloomington : Indiana University Press, 1984), 8-40.

4. Revolutionary Dreams, 226.

5. Russian Popular Culture, 1.

6. Herbert Gans, Popular Culture and High Culture (New York : Basic Books, 1974).

7. Stuart Hall, “Notes on Deconstructing the Popular, ” in Raphael Samuel, ed., People's History and Socialist Theory (Boston : Routledge, 1981). 232. See also Raymond Williams, Marxism and Literature (Oxford : Oxford University Press, 1977), 110.

8. Hall's views are given this precise summation by Tania Modleski, “Introduction, ” in Modleski, ed., Studies in Entertainment (Bloomington : Indiana University Press, 1986), xi.

9. Revolutionary Dreams, vii.

10. John Hoberman, Sport and Political Ideology (Austin : University of Texas Press, 1984), 14.

11. Michel de Certeau, The Practice of Everyday Life (Berkeley : University of California Press, 1984), xii-xiii, xv and xvii.

12. Russian Popular Culture, 96.