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Published online by Cambridge University Press: 07 December 2015
‘The desire to create’, wrote Copland, ‘is the basic need to make evident one's deepest feelings about life’. This aspiration to use art for self-expression, or even self-discovery, is universal amongst composers, but is always accompanied by the danger that the subject matter ends up too close to the composer's psyche, leading to a self-indulgence in the music.
1 Aaron Copland, Music and Imagination (Cambridge, MA: Harvard University Press, 1952), pp. 40–41.