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Published online by Cambridge University Press: 03 April 2023
This article focuses on three recent works by the American composer Michael Hersch: the script of storms (2018), for soprano and orchestra, the chamber opera Poppaea (2019) and the 11-hour trilogy of works that have the overall title sew me into a shroud of leaves (2001–16). A discussion of aspects of these three scores will consider Hersch's deployment of a stylistically consistent musical language, his involvement with the work of the writers Fawsi Karim and Christopher Middleton and his articulation of often substantial spans of time.
1 https://michaelhersch.com (accessed 22 November 2022).
2 Quoted in Tim Page, ‘The Natural’, Washington Post, 4 July 1999, www.washingtonpost.com/archive/lifestyle/style/1999/07/04/the-natural/3d46d089-21b5-407e-8b74-b2d1a95037f4/ (accessed 11 November 2022).
3 Michael Hersch, the script of storms. 2022, New Focus Recordings, fcr344, https://newfocusrecordings.bandcamp.com/album/the-script-of-storms.
4 These timings are taken from the BBC Symphony Orchestra premiere recording on the New Focus label.
5 https://michaelhersch.com/works/program/poppaea-essay-Fleischmann.html (accessed 22 November 2022).
6 Clément, Catherine, Opera, or the Undoing of Women, tr. Wing, Betsy (Minneapolis: University of Minnesota Press, 1988)Google Scholar.
7 Michael Hersch, sew me into a shroud of leaves, www.youtube.com/watch?v=YxfPulU5BDE (accessed 11 November 2022).
8 Email correspondence with Michael Hersch, 24 April 2021.
9 Middleton, Christopher, The Vanishing Pavilions, first published in PN Review 156, 30, no.4, March–April 2004Google Scholar.
10 Michael Hersch, The Vanishing Pavilions. 2007, Vanguard Classics/Musical Concepts, MC-101; now available from New Focus Recordings (2022, fcr335), https://michaelhersch.com/albums/TheVanishingPavilions.html (accessed 22 November 2022).
11 Email correspondence with Michael Hersch, 7 December 2019.