Hostname: page-component-cd9895bd7-p9bg8 Total loading time: 0 Render date: 2024-12-26T09:13:59.448Z Has data issue: false hasContentIssue false
  • English
  • Français

VINKO GLOBOKAR: REVALUING A PHENOMENON

Published online by Cambridge University Press:  16 April 2007

John Warnaby
Get access Rights & Permissions [Opens in a new window]

Extract

Despite the characteristic scepticism that British audiences reserve for musicians who cultivate more than one discipline, Vinko Globokar can be considered a phenomenon. Yet reasons can be adduced for his remarkable versatility. His jazz background has proved invaluable in his collaborations with exponents of free jazz and other improvising collectives. Improvisation has also been used as an educational tool. His close ties with Austro-German, French and Italian composition have given him significant insights into their historical development. Finally, his Slavonic origins have given him a unique view of the Western tradition, while heightening his awareness of various cultural, political and social problems, notably exile and alienation.

Type
Research Article
Information
Tempo , Volume 61 , Issue 240 , April 2007 , pp. 2 - 18
Copyright
© Cambridge University Press 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)