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Published online by Cambridge University Press: 04 July 2019
This article examines the music of composer Helen Grime. It discusses her use of melodic and harmonic materials derived from a Bothy Ballad in Two Eardley Pictures. It analyzes the frequent use of interpenetration and stratification in her music, and the morphing of motivic material via a number of transformations in her Violin Concerto. Finally, the article discusses the narrative quality found in Grime's Piano Concerto.