English Musical Life—A Symposium (V)

Extract

From the middle of the nineteenth century studies in the History of Music developed on a scholarly basis all over Europe. The purely aæthetic approach to works of art gave way, with the development of historical methods, to the historical approach which included aesthetic appreciation within itself and placed it on a sound basis. Works of remote periods were no longer judged by merely contemporary standards. They were brought into the right context and the range of accessible music immeasurably enlarged.