Hostname: page-component-cd9895bd7-jkksz Total loading time: 0 Render date: 2024-12-26T08:18:47.341Z Has data issue: false hasContentIssue false
  • English
  • Français

Korean Composers in Profile

Published online by Cambridge University Press:  22 January 2016

David Babcock
Get access Rights & Permissions [Opens in a new window]

Extract

Ancient, ornately carved palaces in the midst of a megalopolis, the spirituality of delicate green Koryo celadon, an archaic traditional music as pungent (and delicious) as kimchi – once experienced, never forgotten. Add to these the city of Kyongju, called the ‘museum without walls’, the many reminders of a long history of suffering under Japanese oppression and the uninterrupted excellence of its poetry and visual arts, and one begins to feel Korea's special quality. The country is prosperous; education in all fields, including the arts, is given high priority. Contemporary life is vibrant and intense; the people possess a seemingly boundless capacity for hard work as well as for celebration, festivity, ceremony and mourning – and for music-making. Hardly surprising, then, that the compositional scene in the Republic of South Korea is booming, to say the least.

Type
Research Article
Information
Tempo , Issue 192 , April 1995 , pp. 15 - 21
Copyright
Copyright © Cambridge University Press 1995

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

* ‘Contemporary Music Skyrocketing’ in Koreana, Vol. 6 No. 1, 1992 Google Scholar, published by the Korea Foundation, 526, Namdae-munno 5-ga, Chung-gu, Seoul, Korea. The author wishes to thank the Korea Foundation for the generous support which made this study possible.

* Sôn is a Korean form of Buddhist mental and spiritual training, not unlike the Japanese Zen, but with its own distinct and individual tradition.

* Ibid., page 12.