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Published online by Cambridge University Press: 04 April 2022
1 Warnaby, John, ‘A New Left-Wing Radicalism in Contemporary German Music’, TEMPO, no. 193 (1995), pp. 18–26CrossRefGoogle Scholar.
2 English-language articles on Spahlinger have since been published elsewhere, however. Among them are Smith's own ‘Mathias Spahlinger's passage/paysage and “the Barbarity of Continuity”’, Contemporary Music Review, 34, nos 2–3 (2015), pp. 176–86; Max Paddison, ‘Composition as Political Praxis: a Response to Mathias Spahlinger’, ibid., pp. 167–75; and articles by Kane, Brian, Schule, Dorothea, Blume, Philipp and Music, Petra in ‘Music of Nicolaus A. Huber and Mathias Spahlinger’, Contemporary Music Review, 27, no. 6 (2008)CrossRefGoogle Scholar, a special issue edited by Philipp Blume.