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Published online by Cambridge University Press: 16 June 2014
Considering the reputation of the Southbank Centre as a major British authority on new music and art, their playing host to ‘The New Experimentalists’ in January seemed a long time coming. From an institution one year into its twentieth-century musical extravaganza, The Rest Is Noise Festival, an evening highlighting new and recent works by four leading experimental artists came as a welcome break from an exhaustive list of twentieth-century ‘classics’.