Hostname: page-component-cd9895bd7-hc48f Total loading time: 0 Render date: 2024-12-26T08:16:39.982Z Has data issue: false hasContentIssue false
  • English
  • Français

PROMETHEUS OR ICARUS? IDEA AND IDEOLOGY IN NONO'S ‘AL GRAN SOLE CARICO D'AMORE’

Published online by Cambridge University Press:  07 February 2007

Raymond Fearn
Get access Rights & Permissions [Opens in a new window]

Extract

Did Luigi Nono succeed in creating the ‘new music theatre’ that he wished to create – and does his second theatrical work Al gran sole carico d'amore (1975) represent such a theatre? The theatre was certainly a constant siren beckoning the composer. Right from the start of his creative life, Nono's primary concern as a composer had been with musical expression, and he cast the most powerful and often provocative literary texts in musical terms, as can be seen in the settings he made of Lorca poems during the early 1950s.

Type
Research Article
Information
Tempo , Volume 61 , Issue 239 , January 2007 , pp. 28 - 39
Copyright
© Cambridge University Press 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)