Hostname: page-component-6bf8c574d5-9f2xs Total loading time: 0 Render date: 2025-03-09T23:39:40.859Z Has data issue: false hasContentIssue false
  • English
  • Français

The Savage Parade-from Satie, Cocteau, and Picasso to the Britten of Les Illuminations and beyond

Published online by Cambridge University Press:  23 November 2009

David Drew
Get access Rights & Permissions [Opens in a new window]

Extract

This article arose from the author's review of Daniel Albright's recent study Untwisting the Serpent – Modernism in Music, Literature and Other Arts (Chicago and London: The University of Chicago Press). The review, now published in the Spring 2001 Issue of the Kurt Weill Newsletter (vol 19, no. 1), concentrates on Schoenberg and Weill, while the article explores other aspects of Modernism considered by Albright. Tempo's own formal review of Untwisting the Serpent is contributed by Peter Quinn on p. 00 – Ed.).

Type
Research Article
Information
Tempo , Issue 217 , July 2001 , pp. 7 - 21
Copyright
Copyright © Cambridge University Press 2001

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Albright, Daniel. Untwisting the Serpent, Chicago/London, 2000 Google Scholar
Britten, Benjamin. On Receiving the First Aspen Award, London 1964 Google Scholar
Britten, Benjamin. Letters from a Life – Selected Letters and Diaries of Benjamin Britten, Volume One 1923–1939, Volume Two 1939–45; ed. Mitchell, Donald and Reed, Philip, London 1991, revised paperback edition 1998Google Scholar
Britten, Benjamin. A Catalogue of the Published Works, compiled and edited by Paul Banks, Aldeburgh 1999 Google Scholar
Britten and the French Connection, programme book of the Aldeburgh October Britten Festival, 20–23 10 1994 Google Scholar
Carpenter, Humphrey. Benjamin Britten, A Biography, London 1992 Google Scholar
Cooke, Mervyn. Britten and the Far East – Asian influences in the music of Benjamin Britten, Woodbridge, Suffolk 1998 Google Scholar
Gillmor, Alan M. Erik Satie, London 1988 CrossRefGoogle Scholar
Hell, Henri. Francis Poulenc, London 1959 Google Scholar
Mitchell, Donald and Keller, Hans (ed.). Benjamin Britten: a Commentary on his works from a group of specialists, London 1952 Google Scholar
Orledge, Robert. Satie, the Composer, Cambridge 1990 Google Scholar
Oulette, Fernand. Edgard Varese, London 1968 Google Scholar
Rothschild, Deborah Menaker. Picasso's “Parade”, From street to stage, New York/London 1991 Google Scholar
Satie, Erik. The Writings of Erik Satie, edited and trans. Wilkins, Nigel, London 1980 Google Scholar
Satie, Erik. Corrcspondance presque complète, réuni et présentée par Ornclla Volta, Paris 2000 Google Scholar
Schafer, Murray. British Composers in Interview, London 1963 Google Scholar
Schafer, Murray. Ezra Pound and Music – the Complete Criticism, edited with commentary, London 1978 Google Scholar
Sheppard, W Anthony. Revealing Masks – Exotic Influences and Ritualized Performance in Modernist Music Theater, California 2001 Google Scholar
Varèse, Louise. Prose Poems from the Illuminations, New York 1946 Google Scholar
Volta, Omella. Satie, Seen Through His Letters, trans. Bullock, Michael, London 1989 Google Scholar
Whiting, Steven Moore. Satie the Bohemian – From Cabaret to Concert Hall, Oxford 1999 CrossRefGoogle Scholar