Hostname: page-component-78c5997874-t5tsf Total loading time: 0 Render date: 2024-11-14T04:52:23.886Z Has data issue: false hasContentIssue false
  • English
  • Français

THREE TABLES FOR BOB

Published online by Cambridge University Press:  28 September 2016

Marc Sabat
Get access Rights & Permissions [Opens in a new window]

Extract

To distinguish differences of harmony, to compose music so that players and listeners may sense these variations naturally, in real time, the representation of harmonic space in musical notation must be precise yet simple to read. Shadings of intonation are most clearly conceived in relation to consonant, untempered intervals. Intervals derived from a common frame of reference may be represented by microtonal signs, which suggest potentially tuneable intervallic relationships.

Type
A BOB GILMORE FESTSCHRIFT
Information
Tempo , Volume 70 , Issue 278 , October 2016 , pp. 47 - 63
Copyright
Copyright © Cambridge University Press 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)