Hostname: page-component-cd9895bd7-dk4vv Total loading time: 0 Render date: 2024-12-26T08:45:38.171Z Has data issue: false hasContentIssue false

Gender and Nation Tightly Bound

Ita Segev’s Knot in My Name

Published online by Cambridge University Press:  15 September 2021

Abstract

In her solo performance, Knot in My Name, Ita Segev utilizes transaesthetic strategies and technology to elucidate her mutually dependent investments in gender and nation and the urgent personal and political stakes of the ongoing Israeli occupation for the performer and her American audience alike.

Type
Critical Acts
Copyright
© The Author(s) 2021. Published by Cambridge University Press for Tisch School of the Arts/NYU

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Berdugo, Liat. 2021. The Weaponized Camera in the Middle East: Videography, Aesthetics, and Politics in Israel and Palestine. London: Bloomsbury.CrossRefGoogle Scholar
Cárdenas, Micha. 2010. “Becoming Dragon: A Transversal Technology Study.” CTheory, 29 April. Accessed 6 July 2020. journals.uvic.ca/index.php/ctheory/article/view/14680.Google Scholar
Chen, Jian, and Olivares, Lissette. 2014. “Transmedia.” TSQ: Transgender Studies Quarterly 1, 1–2:245–48. doi.org/10.1215/23289252-2400172.CrossRefGoogle Scholar
King, Homay. 2015. Virtual Memory: Time-Based Art and the Dream of Digitality. Durham, NC: Duke University Press.Google Scholar
Russell, Legacy. 2020. Glitch Feminism: A Manifesto. Brooklyn, NY: Verso.Google Scholar
Segev, Ita. 2019. Knot in My Name. Unpublished manuscript, Gibney Dance, New York.Google Scholar
Sundén, Jenny. 2018. “Queer Disconnections: Affect, Break, and Delay in Digital Connectivity.” Transformations 31:6378.Google Scholar
Ziv, Amalia. 2007. “Diva Interventions: Dana International and Israeli Gender Culture.” In Queer Popular Culture: Literature, Media, Film, and Television, ed. Peele, Thomas, 119–38. New York: Palgrave Macmillan.CrossRefGoogle Scholar