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Vanity Monitor

Published online by Cambridge University Press:  01 December 2022

Ariel Sibert  and
Fake Friends
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Abstract

The work of Brooklyn-based theatre company Fake Friends, always obsessed with screens, the self, and theatrical presence, gained a new following when they adapted their work for livestream during the Covid-19 pandemic. At the same time these adaptations, which transformed the company’s practice from “screens-on-stage” to “staged-for-screen,” reinvigorated debates around absence, presence, and alienation in the Zoom era.

Type
Yale TDR Consortium Issue
Information
TDR , Volume 66 , Issue 4 , December 2022 , pp. 56 - 72
Copyright
© The Author(s), 2022. Published by Cambridge University Press for Tisch School of the Arts/NYU

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References

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